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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250926T190000
DTEND;TZID=America/New_York:20250926T203000
DTSTAMP:20260415T092006
CREATED:20250821T143456Z
LAST-MODIFIED:20250821T143456Z
UID:1407-1758913200-1758918600@www.annumatthew.com
SUMMARY:Keynote Speaker (virtual) for the 2025 New England Portfolio Reviews
DESCRIPTION:The September 25th Keynote Speaker is Annu Palakunnathu Matthew\, is a Professor of Art at the University of Rhode Island. She  was also the Director of the Center for the Humanities from 2014-2019 and the 2015-17  Silvia Chandley Professor in Peace Studies and Non-violence. Her photo-based work draws on old photographs to re-examine historical narratives in the US  and South Asia. Though trained as a photographer\, her work increasingly uses the ever expanding digital toolbox and has moved into installations. The result is a blend of still and  moving imagery that shifts the viewer’s perspective to question established and  marginalized histories.  \nSeptember 26 @ 7:00 pm – 8:30 pm
URL:https://www.annumatthew.com/event/keynote-speaker-virtual-for-the-2025-new-england-portfolio-reviews/
LOCATION:Griffin Museum
CATEGORIES:An Indian from India,Bollywood Satirized,Memories of India,SHELTERED: The Italians who saved the escaped Indian Prisoners of War during World War II,Stories of Partition,The UNREMEMBERED,The Virtual Immigrant
ATTACH;FMTTYPE=image/jpeg:https://www.annumatthew.com/wp-content/uploads/2025/03/06_APM_2024_PoW_5549.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240915T100000
DTEND;TZID=America/New_York:20241027T170000
DTSTAMP:20260415T092006
CREATED:20241003T133519Z
LAST-MODIFIED:20241010T223345Z
UID:1260-1726394400-1730048400@www.annumatthew.com
SUMMARY:THE ANSWERS TAKE TIME - Dr. Bhau Daji Lad Museum
DESCRIPTION:The Dr. Bhau Daji Lad Mumbai City Museum in collaboration with sepiaEYE with the support of The Mehrangarh Museum Trust\, Jodhpur\, are pleased to present The Answers Take Time\, a retrospective of Annu Palakunnathu Matthew’s work accompanied by the monograph of the same title. Curated by Esa Epstein\, this exhibition showcases eight distinct bodies of work that span nearly three decades of Matthew’s career. The Answers Take Time (by Minor Matters/sepiaEYE\, 2022) is Matthew’s first monograph covering her mid-career survey. It elucidates a conceptual artist’s progression using photography\, collage\, animation\, and parody to explore performative and nuanced elements of cultural identities. Matthew draws on personal experiences and then collaborates to tell the stories of others. Although she began her career as an accomplished still photographer\, her artistic practice has expanded\, incorporating a unique toolbox of stills\, moving images\, and sound for an immersive experience for the viewer. These works often draw on archival photographs for their inspiration and re-examine historical narratives and the legacies of colonization. Born in England\, Matthew moved to India at age 11. Her father\, the family’s photo-documentarian\, passed away shortly after. His passing lost the so-called photographic “proof” of her childhood memories. In Fabricated Memories\, the artist composites her childhood family snapshots with images made during a visit to England 20 years after her father’s death. These seemingly realistic events did not occur but accurately depict Matthew’s memories of her father and her childhood in England. The work is presented as a handmade accordion book of digitally altered Polaroid transfers. As her father died from health issues exacerbated by smoking\, the book is bound in paper made from tobacco leaves and housed in a cigarette box stained with tobacco juice to lead the viewer into her fabricated memories further using the senses of sight\, touch\, and smell.Dr. Deepali Dewan (Senior Curator\, Royal Ontario Museum) writes\, “The family photograph is the most familiar\, ubiquitous\, and numerous of any genre of photography and yet\, despite its popularity\, remains notably absent from photo histories. In much of her work\, Matthew focuses on the family photograph\, exploring its psychological and emotional dimensions to subvert cultural expectations.” Immigrating to America at 28 to begin her photographic career\, Matthew developed a unique take on family\, memory\, and the construction of parallel realities\, identities\, and histories woven seamlessly into her imagery. The dreamlike black and white photographs from her Memories of India series\, taken with a cheap plastic “Holga” camera\, capture fleeting memories of India. The atmospheric and cloudy images speak to her visceral response to the sights\, smells\, and activities of her travels. In her essay Memory’s Kingdom\, Vicki Goldberg states\, “[Matthew’s] sense of self is ambiguously located between England\, India\, and America\, and these images hover ambiguously between dream and reality\, document and fantasy\, clarity\, and obscurity\, today and long ago. Memory and time\, those elusive qualities\, are malleable in Matthew’s hands. Here\, they merge in an evocative personal account of a country partially erased by camera light\, time\, and what it called progress.” \npage 1 of 2 \nAs an immigrant in the United States\, in An Indian from India\, a series of diptychs\, Matthew tackles the misguided question: “But where are you really from?” Stemming from the need to explain herself as “an Indian from India”\, the artist presents 19th and early 20th-century portraits of Native Americans\, photographed as exotic “others.” Matthew mimics this approach in the second image of the diptych\, recreating the scene with herself as the sitter\, an “Indian from India\,” reversing the colonial gaze so familiar in 19th-century photography of Indians by the British. This series reflects on the early work of American photographers\, including Edward Curtis\, who photographed Native Americans. Matthew modernizes the process of orotones to mimic the early portfolio format of cased images meant to be “read” like a book. Still photography\, photo animation\, video\, and sound are deftly used in Matthew’s cultural investigations. Matthew delves into the children’s memories of the 1947 Partition of India in Open Wound. Here\, she retells other people’s stories and uses family photographs and reenactments to create poignant photo animations with excerpts from their discussions. Re-Generation employs an investigative process where she focuses on women in the context of globalization across generations. In Virtual Immigrant\, Matthew tells the story of call center workers in Bangalore who alternate between their Indian selves and their roles as Westerners online. The life-size lenticular works display two versions of the same person. By moving back and forth\, the viewer sees both identities and hears the actual voices of the subjects as they recount their experiences. This audio-visual series incorporates a nontraditional process of lenticular printing\, which is more commonly used for small trinkets and gifts.This exhibition features two works exposing the forgotten past of Indian soldiers who fought for the British during World War II — The Unremembered: The Indian Soldiers from World War II and The Indian Soldiers from the Italian Campaign of World War II (commissioned by the Kochi Biennial\, 2018). By blending photographs\, video\, sound\, 3D laser-cut crystals\, and text\, Matthew creates a dynamic and immersive experience for the viewers to bring untold stories to life. Matthew’s work has garnered international acclaim\, with notable exhibitions at prestigious institutions that underscore the global significance of her artistic contributions. She has exhibited in solo shows at the The Royal Ontario Museum; The Newport Art Museum; and Nuit Blanche Toronto. Selected group exhibitions include The RISD Museum; The Museum of Fine Arts\, Boston; Museum of Fine Arts Houston; The San Jose Museum of Art; The Victoria & Albert Museum; The Smithsonian Institution; Noorderlicht Photofestival; Le Mois de la Photo à Montréal Photo Biennale; Kochi-Muziris Biennale; and Guangzhou Photo Biennial.A passionate mentor to students and emerging artists\, Matthew is a Professor of Art at the University of Rhode Island who graciously support her work. She also served as the Director of the Center for Humanities and the Silvia Chandley Professor of Nonviolence and Peace Studies. Matthew has received many grants and fellowships\, including two Fulbright Fellowships\, a MacColl Johnson Fellowship\, the John Gutmann Fellowship\, the Rhode Island State Council of the Arts Fellowship\, and the American Institute of Indian Studies Creative Arts Fellowship. She was an artist-in-residence at the Yaddo and MacDowell Colonies.
URL:https://www.annumatthew.com/event/the-answers-take-time-2/
LOCATION:Dr. Bhau Daji Lad Mumbai City Museum\, Veer Mata Jijabai Bhosale Udyan (Rani Baug)\, Mumbai\, India
CATEGORIES:An Indian from India,Generations,Memories of India,Re-Generations,Stories of Partition,The UNREMEMBERED,The Virtual Immigrant
ATTACH;FMTTYPE=image/jpeg:https://www.annumatthew.com/wp-content/uploads/2021/06/0920_ANNU_VID_CRYSTALS_1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20231206T190000
DTEND;TZID=America/New_York:20231206T203000
DTSTAMP:20260415T092006
CREATED:20230914T184446Z
LAST-MODIFIED:20231212T213941Z
UID:1229-1701889200-1701894600@www.annumatthew.com
SUMMARY:Penumbra Foundation Fall '23 Artist Series
DESCRIPTION:  \nFollowed by a book signing.
URL:https://www.annumatthew.com/event/penumbra-foundation-fall-23-artist-series/
LOCATION:Penumbra Foundation\, 36 East 30th Street\,\, New York\, 10016\, United States
CATEGORIES:An Indian from India,Bollywood Satirized,Generations,Memories of India,Postdate: Photography & Inherited History in India,Re-Generations,Stories of Partition,The UNREMEMBERED,To Majority Minority
ATTACH;FMTTYPE=image/jpeg:https://www.annumatthew.com/wp-content/uploads/2021/06/0920_ANNU_VID_CRYSTALS_1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20231007T170000
DTEND;TZID=America/New_York:20231007T183000
DTSTAMP:20260415T092006
CREATED:20230914T181542Z
LAST-MODIFIED:20230914T181542Z
UID:1223-1696698000-1696703400@www.annumatthew.com
SUMMARY:SHELTERED. Second World War: the Abruzzo people for the Indian soldiers
DESCRIPTION:On the occasion of the XIX Contemporary Day\, MAXXI L’Aquila hosts a meeting\, conducted in a workshop format \, with the artist Annu Palakunnathu Matthew.\nFocusing on his project The Unremembered: The Italian Campaign \, the talk weaves together the stories of the descendants of the Abruzzo families who helped soldiers from the Indian subcontinent\, enlisted in the British Army\, survive during the final years of the conflict in prison camps in Abruzzo ( Avezzano). The sacrifice and tenacity of the Indian soldiers is an extraordinary story\, largely forgotten and never told in history books. \nWith curator Maria Teresa Capacchione and local historian Alessio De Stefano  with descendants of some of the families who sheltered these Indians.
URL:https://www.annumatthew.com/event/sheltered-second-world-war-the-abruzzo-people-for-the-indian-soldiers/
LOCATION:MAXXI L’Aquila\, Abruzzo\, Italy
CATEGORIES:The UNREMEMBERED
ATTACH;FMTTYPE=image/png:https://www.annumatthew.com/wp-content/uploads/2023/02/Silhouette_NPT_museum_028.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230427T160000
DTEND;TZID=America/New_York:20230427T190000
DTSTAMP:20260415T092006
CREATED:20230409T221451Z
LAST-MODIFIED:20230409T221451Z
UID:1205-1682611200-1682622000@www.annumatthew.com
SUMMARY:Camera South Asia
DESCRIPTION:Panelist – Unframed\nLehman Auditorium\, Columbia University\, New York\, NY
URL:https://www.annumatthew.com/event/camera-south-asia/
LOCATION:Columbia University
CATEGORIES:Stories of Partition,The UNREMEMBERED
ATTACH;FMTTYPE=image/jpeg:https://www.annumatthew.com/wp-content/uploads/2023/04/columbia.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230420T130000
DTEND;TZID=America/New_York:20230420T150000
DTSTAMP:20260415T092006
CREATED:20230409T221931Z
LAST-MODIFIED:20230409T221931Z
UID:1211-1681995600-1682002800@www.annumatthew.com
SUMMARY:The UNREMEMBERED: Indian soldiers of World War II
DESCRIPTION:Guest speaker – Hidden Histories in Museums and Archives course – Holly Gaboriault\nRhode Island School of Design
URL:https://www.annumatthew.com/event/the-unremembered-indian-soldiers-of-world-war-ii/
LOCATION:RISD\, Providence\, RI\, United States
CATEGORIES:Stories of Partition,The UNREMEMBERED
ATTACH;FMTTYPE=image/png:https://www.annumatthew.com/wp-content/uploads/2020/11/UNREMEM_EXPERIMENTATION-1-small.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230412T100000
DTEND;TZID=America/New_York:20230412T130000
DTSTAMP:20260415T092006
CREATED:20230409T220906Z
LAST-MODIFIED:20230409T222002Z
UID:1202-1681293600-1681304400@www.annumatthew.com
SUMMARY:The Answers Take Time
DESCRIPTION:Brown University’s Center for the Study of Race and Ethnicity in America – Guest Speaker at Practitioner Fellows Capstone Seminar
URL:https://www.annumatthew.com/event/the-answers-take-time-presentation/
LOCATION:Brown University
CATEGORIES:Stories of Partition,The UNREMEMBERED
ATTACH;FMTTYPE=image/png:https://www.annumatthew.com/wp-content/uploads/2023/02/Silhouette_NPT_museum_028.png
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20221220
DTEND;VALUE=DATE:20231221
DTSTAMP:20260415T092006
CREATED:20230226T191140Z
LAST-MODIFIED:20230226T192357Z
UID:1170-1671494400-1703116799@www.annumatthew.com
SUMMARY:The Answers Take Time
DESCRIPTION:Buy your copy today!\nmonograph published by minor matters books and sepiaEYE\, nyc\n\nISBN: 978-1-7356423-5-2 \nWith an artist interview by Tom Jones II\, and an essay by Bakirathi Mani. In collaboration with sepiaEYE \nInformed by her perspective as a global citizen who has been a resident of three continents\, the book’s sequence is its own journey through geographies and time\, influenced by the irrefutable narratives of population displacement\, and the imperfection of memories. Her photo-based installation work is a blend of still and moving imagery\, often drawing on archives of professional portraiture and of personal photographs to elucidate similarities beneath assumed surface differences.  \nMatthew investigates identities she exists within\, and outside of\, finding ways to inhabit others’ stories so that they are heard and seen. Probing the impact of America’s dual position as colony and colonizer\, her work expands what is considered to be American history in the country she now calls home.
URL:https://www.annumatthew.com/event/the-answers-take-time/
CATEGORIES:An Indian from India,Bollywood Satirized,Generations,Memories of India,Re-Generations,Stories of Partition,The UNREMEMBERED,The Virtual Immigrant,To Majority Minority
ATTACH;FMTTYPE=image/jpeg:https://www.annumatthew.com/wp-content/uploads/2023/02/Book-cover-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210925T100000
DTEND;TZID=America/New_York:20220109T170000
DTSTAMP:20260415T092006
CREATED:20210623T154322Z
LAST-MODIFIED:20210623T154322Z
UID:1038-1632564000-1641747600@www.annumatthew.com
SUMMARY:ReVision
DESCRIPTION:Curated by Dr. Francine Weiss.\nFor over twenty years\, Annu Palakunnathu Matthew has been making photo-based works of art that deal with lesser-known histories and immigration. Born in England\, raised in India\, and now living in the United States\, Matthew draws on her personal experience and identity and also collaborates to tell the stories of others from South Asia. These experiences and collaborations culminate in powerful and evocative works of art. Although she began her career as an accomplished still photographer\, Matthew’s artistic practice has expanded to include installations and sculptures\, which incorporate a unique blend of still and moving images and sound. These new works draw on archival photographs for their inspiration and re-examine historical narratives and the legacies of colonization. \nThis exhibition features early work by the artist\, such as her dreamlike black and white film photographs from the series Memories of India and her thought-provoking self-portraits based on Edward S. Curtis’s photographs of Native Americans for An Indian from India. This show also includes a selection of the artist’s compelling recent works about the traumatic aftermath of the Partition of India in 1947 and the forgotten history of Indian soldiers who fought for the British during World War II: Open Wound–Stories of Partition and The Unremembered–Indian Soldiers from the Italian Campaign of WWII. Blending photographs\, video\, sound\, sculpture\, text\, and narrative for her works\, Matthew creates a dynamic and immersive experience for viewers while she recovers many all-too neglected histories.\nCrystals\, The UNREMEMBERED Indian soldiers World War 2
URL:https://www.annumatthew.com/event/revision/
LOCATION:Newport Art Museum\, Newport\, RI\, United States
CATEGORIES:An Indian from India,Generations,Memories of India,Re-Generations,Stories of Partition,The UNREMEMBERED
ATTACH;FMTTYPE=image/jpeg:https://www.annumatthew.com/wp-content/uploads/2021/06/0920_ANNU_VID_CRYSTALS_1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20201203T191500
DTEND;TZID=America/New_York:20201203T201500
DTSTAMP:20260415T092006
CREATED:20201126T181257Z
LAST-MODIFIED:20201126T182258Z
UID:979-1607022900-1607026500@www.annumatthew.com
SUMMARY:Panelist: Seeing and Being Seen: How Contemporary Artists See Themselves
DESCRIPTION:SYMPOSIUM: RACE\, ACTIVISM AND PHOTOGRAPHY\nThe virtual forum\, Race\, Activism and Photography\, examines recent societal injustices\, systemic racism\, and the continued underrepresentation in the art world through the lenses of art and activism. This three-day symposium\, featuring panel-led roundtables\, lectures\, and artist presentations\, will amplify the voices of artists\, writers\, and arts professionals\, the majority of whom have participated in our residency program\, WOODSTOCK AIR. \nRace\, Activism and Photography will address an array of issues including the history of photography through the prism of race\, representation and identity\, and activism\, and examines how these topics have evolved from 1839 to the present; the economic and social impact of systemic racism\, and how these inequities have been represented in the media; how artists\, within the context of fine art\, are using their work to address oppression and discrimination; and\, finally\, how artists are responding to the challenging and unique opportunities that lie ahead in the art world. \nThis forum was created with the direct support of the Arnold and Augusta Newman Foundation. Additional support for this event and Woodstock AIR was provided by the Joy of Giving Something Foundation\, the National Endowment for the Arts\, and the New York Council on the Arts. \nThe event launches the newly endowed Arnold Newman Lectures at Woodstock with a keynote address by Carrie Mae Weems.
URL:https://www.annumatthew.com/event/panelist-seeing-and-being-seen-how-contemporary-artists-see-themselves/
CATEGORIES:An Indian from India,The UNREMEMBERED
ATTACH;FMTTYPE=image/png:https://www.annumatthew.com/wp-content/uploads/2020/11/UNREMEM_EXPERIMENTATION-1-small.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20201118T180000
DTEND;TZID=UTC:20201118T190000
DTSTAMP:20260415T092006
CREATED:20201102T202206Z
LAST-MODIFIED:20210503T212328Z
UID:933-1605722400-1605726000@www.annumatthew.com
SUMMARY:Virtual Discussion @ the Smithsonian
DESCRIPTION:Date: Wednesday\, November 18\, 2020\, 6 – 7 pm\nJoin the Curator:  A Conversation with Annu Palakunnathu Matthew (virtual) \nThis fall\, as we commemorate the 75th anniversary of the end of World War II\, artist and scholar Annu Palakunnathu Matthew sheds light on a lesser-known aspect of that conflict through her recent work based on archival photographs of Indian soldiers. Join the artist\, along with curators Asma Naeem and Carol Huh\, for a discussion on the incompleteness of our historical narratives and the political dimensions of historical forgetfulness. T\n \nAnnu Palakunnathu Matthew is a multimedia artist\, photographer\, and professor of art at the University of Rhode Island. She has also served as director of the Center for the Humanities and as Silvia-Chandley Professor of Nonviolence and Peace Studies. She is represented by the gallery sepiaEYE in New York City.  \n \nAsma Naeem is the Eddie C. and C. Sylvia Brown Chief Curator at the Baltimore Museum of Art and is a specialist in American art and contemporary Islamic art. She was previously associate curator at Smithsonian’s National Portrait Gallery and received her Ph.D. from the University of Maryland\, College Park.  \n \nCarol Huh is curator of contemporary art at the Freer Gallery of Art and Arthur M. Sackler Gallery\, the Smithsonian’s National Museum of Asian Art. Huh focuses on current artistic production related to Asia through exhibitions\, acquisitions\, and public programs. \nImages from top clockwise: Artist experimenting with crystals courtesy David H Wells. \nLt E C Joshua and Flt Lt Arjan Jethanand Mirchandani. 
URL:https://www.annumatthew.com/event/virtual-discussion-the-smithsonian/
LOCATION:Smithsonian Freer Gallery\, Washingston DC\, DC\, United States
CATEGORIES:The UNREMEMBERED
ATTACH;FMTTYPE=image/png:https://www.annumatthew.com/wp-content/uploads/2020/11/UNREMEM_EXPERIMENTATION-1-small.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20200131T183000
DTEND;TZID=UTC:20200131T200000
DTSTAMP:20260415T092006
CREATED:20191223T091538Z
LAST-MODIFIED:20191223T091648Z
UID:845-1580495400-1580500800@www.annumatthew.com
SUMMARY:The UNREMEMBERED - The Indian soldiers of the Second World War
DESCRIPTION:By 1945\, 2.5 million Indians had volunteered to fight for the Allies during World War II (WWII). Thirty of them won Victoria crosses\, and more than 87\,000 died.  Yet\, in India and the world\, they remain uncommemorated and unremembered.  \nFulbright scholar Annu Palakunnathu Matthew will parse out the confluence of factors that played a role in this complicated history. Her photo-based artwork is a striking blend of still and moving imagery and draws on archival photographs to re-examine and question established narratives to consider shadow histories.\nShe is currently crowdsourcing family photographs of the WW2 Indian soldiers. Bring yours to be scanned!
URL:https://www.annumatthew.com/event/the-unremembered/
LOCATION:India International Centre\, New Delhi\, 40\, Max Mueller Marg\, Lodhi Gardens\, Lodhi Estate\, New Delhi\, Delhi \, New Delhi\, 110003\, India
CATEGORIES:The UNREMEMBERED
ATTACH;FMTTYPE=image/jpeg:https://www.annumatthew.com/wp-content/uploads/2019/12/Yamini-grandfather.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20191119T183000
DTEND;TZID=UTC:20191119T203000
DTSTAMP:20260415T092006
CREATED:20191223T091921Z
LAST-MODIFIED:20191223T092925Z
UID:851-1574188200-1574195400@www.annumatthew.com
SUMMARY:The UNREMEMBERED - Indian Soldiers of the Second World War
DESCRIPTION:By 1945\, 2.5 million Indians had volunteered to fight for the Allies during World War II (WWII). Thirty of them won Victoria crosses\, and more than 87\,000 died.  Yet\, in India and the world\, they remain uncommemorated and unremembered.\nFulbright scholar Annu Palakunnathu Matthew will parse out the confluence of factors that played a role in this complicated history. Her photo-based artwork is a striking blend of still and moving imagery and draws on archival photographs to re-examine and question established narratives to consider shadow histories.\nShe is currently crowdsourcing family photographs of the WW2 Indian soldiers. Bring yours to be scanned!
URL:https://www.annumatthew.com/event/the-unremembered-2/
LOCATION:Bangalore International Center\, Bangalore\, Karnataka\, India
CATEGORIES:The UNREMEMBERED
ATTACH;FMTTYPE=image/jpeg:https://www.annumatthew.com/wp-content/uploads/2019/12/Yamini-grandfather.jpg
END:VEVENT
END:VCALENDAR