When flipping through a family album, we become more cognizant of the histories and memories of our own and other families. My work builds on the presumed veracity of photographs to spur a critical reflection on the power of photography and it’s effect on the perception of memory, family and the warping of cultures over time.
The old images reignite memories and, like a time machine, take us back to a different time. Using digital technology, I reorient the viewer’s connection to time as I collapse the presumed progression of its borders, so the past and present appear here in the same virtual space.
The final ephemeral animation is built from archival images and recent photographs of three or more generations of women. The digital technology and animation makes it appear that the old and new images magically flow one into another. This malleable flowing object leaves the viewer to wonder where the past and present overlap and warp. Here, history is distorted, evoking a new dimension of memories, which is uniquely digital.